Saturday, August 10, 2013

Trojan Horns- Live

(Argh, another band so obscure that the entire internet doesn't have their cover art! Here's my crusty scan...)

The Trojan Horns (archived website here) were an Australian ska band from the early 2000s. While most ska bands of the time had strong punk/rock influences, the Trojan Horns stuck to an English 2-tone style for their version of ska.

...Which means it often isn't my cup of tea. It seems I prefer my 2-tone ska mixed with other styles, so many of these songs are too "straight down the line" for me. Also, some of the songs are interesting purely for the lyrics, with the rest of the song being merely "tolerable" accompaniment. While I'm being harsh, the recording quality is quite low-rent, as to be expected from a live recording of a local band. In particular, the drums and horns are very plastic-y sounding. On the plus side, the quieter horn parts have a nice sparseness and character to the sound.

Corn on the Cob is a highlight for me, combining some latin american influences with an interesting narrative. Also, perhaps the slower rocksteady feel is more to my liking. Although the next song blows that theory out of the water, the less said about Freestyle Reggae the better!

Bouncing is a cool cover, with much of the appeal for me being the very silly lyrics. The final song, Choices, is similar: I could take or leave the musical style, but the lyrics give this song appeal for me.

Favourite songs

Policemen, Corn on the Cob, Bouncing, Choices

Would I buy it again?

Tough question! There is certainly some kind of naive charm to it, but it's a CD I rarely listen to, so I think that probably answers the question.

The Louisville Sluggers- Time for Swingin' / Masterplan

This is the debut single from the Australian neo-swing band. While their follow up single, Hey Honey Please, took a more traditional style, this CD uses a fast-paced sound more similar to the gangster rock/swing of Royal Crown Revue, Big Bad Voodoo Daddy, etc.

Time for Swingin' jumps straight into the high-energy style. The horn lines in the chorus can make it a bit stop-start, but it nicely contrasts the smoother sections of the song and despite the tempo the musicianship is wonderfully tight.

Like Hey Honey Please, the horn sound is a bit hit and miss, sometimes sounding thin. On the plus side, the balance of guitar and piano is again great, as is the overall sound. The vocals range from soft and smooth to maximum energy, and are fantastic sounding throughout.

Masterplan is one of my all-time favourite songs. In my book it's punk-swing, which somehow reminds me (and this will probably sound crazy...) of the Dead Kennedeys. Anyway, despite the breakneck pace, the verses feature intricate horn lines which are perfectly delivered. It's quite a long song, but the slow bridge breaks it up nicely. The bridge not only provides some contrast, but it also has a wonderful intensity and layering. Then the song ramps the tempo back up for a massive final chorus.

Rockford slows the tempo a bit, but the energy remains high in this "cooking" instrumental. Finally, Blow it Baby has a more relaxed feel and would be a great lounge tune if it weren't for the silly tongue-in-cheek lyrics (of which I completely approve!)

Favourite songs

Time for Swingin', Masterplan, Rockford, Blow it Baby

Would I buy it again?

Absolutely. This style of rock-swing is quite unique (only Wolfgang Parker comes to mind as having a similar style), making this EP a rare treat.

The Louisville Sluggers- Hey Honey Please

The Louisville Sluggers were one of few Australian bands to emerge during the 1990s swing revival (centred around Royal Crown Revue, Cherry Poppin' Daddies, etc). This is their 2nd EP, released in 2000.

The recording quality is very good, and special mention goes to the wonderful character of the double bass sound and that the piano can be clearly heard (unlike many recordings where it gets drowned out). A minor quibble is that the horn sound can lack bite or fullness at certain times. However, the balance between instruments is great, with the female vocals sitting on top and sounding as smooth as syrup.

The besotted and smooth style of Hey Honey Please and Well Swung works a treat, backed up by wonderfully flowing horn lines. Things get dirtier (in a good way!) for the grinding cabaret/swing style of Delores the Unstoppable, a tale of a despondent stripper. Pop the Hood is a bit twee for my liking, but as a B-side it works well enough.

Favourite songs

Hey Honey Please, Well Swung, Delores the Unstoppable

Would I buy it again?

Yes. I enjoy it as a modern execution of the classic female vocal-driven swing style.