Saturday, July 10, 2021

Superjesus - Love and Violence

This EP was released in 2016 and marked Superjesus' return from hiatus following the 2003 release of the Rock Music album.

Come back To Me jumps straight into a rock-solid groove that conjures up images of industrial machines on a grand scale. Then, provided you turn a blind ear to the recording quality faults, the chorus is a great head-banging effort. At first I noticed that it's slower than Superjesus' earlier efforts, but then are there actually any bands that have got faster as they've gotten older??

The final track is a live version of Come Back to Me which is very nice sounding for a live recording (with a minor blemish of some distortion in the tom toms). I really enjoy the slight Scottish lilt of the singer's vocals, and the rawer live version brings it out wonderfully. Therefore I think the live recording actually sounds better than the studio one.

On the other hand, Setting Sun is a dog's breakfast of recording quality. If you can get past this, the pre-chorus and chorus are full of inspirational head-banging goodness. Then, St Peters Lane? No thanks, the lyrics don't resonate at all for me.

All of the stars are perfectly aligned for Love and Violence and the tempo is slightly faster. It all adds up to... you guessed it... great head-banging times.

"Throoooowwwww myseeeeeelf into the sea" is the perfect way to start a great headbanging chorus, let alone the master-stroke of launching straight into this as the song's opening gambit (rather than easing in via a chorus etc). Add in swirling guitars and great lyrical imagery throughout the song, and the result is wall-to-wall brilliance. And that, in a nutshell, is Sea Song.

Audio quality rant

Hmmm, this is going to get ugly... The vocals are over-processed to the point of sounding plasticky, there's a grating harshness to the high-pitched sounds, and there's lots of distortion on the drums and vocals (Setting Sun is terrible for this). Also the tonal balance varies greatly between songs, as if each song was mastered by a different person.

Clutching straws to find a bright side within this dogs breakfast, there's great spaciousness and good balance between the vocals and instruments. But when the nicest sounding song on the disc is a live recording, that's a poor reflection on all of the other songs.
 

Favourite songs

Come Back to Me, Love and Violence, Sea Song, Come Back to Me (live)
 

I diggit? 

Yes. I was already a huge Superjesus fan, and really enjoy this new direction for the band.

Friday, July 2, 2021

The Living End - Shift

Shift is The Living End's seventh album. It was released in 2016, five years after The Ending Is Just The Beginning Repeating.

Self-indulgent rant incoming: I am unashamedly a massive fan of The Living End. But... if I may quote the Screaming Jets... it's the line "the ones who love you always hurt you the most" that comes to mind here. I have a theory that diehard fans of a band are overly polarised in their judgement of individual songs or albums. By this I mean that if a TLE song crosses the bar of being a decent listen, then I'll proclaim it to be the greatest thing since sliced bread; yet if it only gives me a lukewarm reaction then I'll be dismissing it as utterly terrible. Shift is quite a mix of these two situation so let's see how this pans out...

A few songs would be completely at home on Roll On, such as Death, Up the Junction and One Step. The latter feels too staccato and disjointed, but I guess it does it's job as a quick opening track. Up The Junction hits the nail on the head with brilliantly catchy pub-rock instrumentals, but for me is ruined by the cliched lyrics. Death is a bit disjointed and the chorus is somehow lacking in catchiness, but all of these niggles are forgiven when it comes time for its instrumental bridge, which rocks out brilliantly.

Speaking of previous TLE albums, Monkey's catchy pop fun would fit in seamlessly on State of Emergency. And Life As We Know It is solid riff-rock as per White Noise, although it's not particularly memorable and the "megaphone distortion" effect on the lead vocals is a real turn-off for me.

This distortion afflicts a few songs on this album, which is a shame since the overall recording quality is really good. The bottom end of kick-drum and double-bass have nice clean meat to them (as much as I'd dig some slappy double-bass goodness, it would probably be out of place here), the guitars are crisp with some nice stereo effects and the cymbals are sweet. Keep On Running (which strangely has a harshness to the cymbals) is a highlight for its great use of stereo guitar effects and bonus points for the wonderful blending of the strings.

Several songs remind me of post-1980s U2, which is not a good thing. The worst of them is Wire, particularly the chorus. It's a similar story for With Enemies Like That, which consists of beautiful instruments undermined by a tacked-on chorus and cliched lyrics (in particular, the line "turn on the 8 track, play it 'round again" is somehow a huge let-down for me). Keep On Running is the other way around, where the chorus is a highlight but the verses sometimes leave me cold. The strings are a wonderful addition to the song here. Overall, somehow Keep On Running is a song that on one listen will feel generic and contrived, but another time I will find it utterly inspiring.

Staring Down the Barrel gets off to a great start with the intro (the vocals sound wonderful here), but somehow I find the chorus lacks sparkle. The rest of the song gives off a nice late-80s rock vibe (Bruce Springsteen perhaps?) with the bridge in particular being a wonderful highlight.

So far, most of the praise here has been accompanied by a qualifier. None are needed for Coma, I am very pleased to report. The song has a wonderful sparseness to it, especially the Roxanne-esque guitar. Oh, and the minimalist chorus is a delight. The bridge is quite weird and out of place, but I'm always a fan of that! In a strange back-flip for me, normally I dislike it when songs fade out as an ending, but here I think the refrain disappearing into the distance would have worked a treat. Regardless, Coma is a highlight of the album and the song that immediately comes to mind when I think of Shift.

Favourite songs

Monkey, Coma

I diggit?

After much careful consideration, the verdict I have reached is "meh".