Rehab wastes no time getting to the point: poetic and tragic lyrics over a catchy soul-pop groove. Add in some nicely layered backing instruments, and the results are fantastic.
You Know I'm No Good ups the ante even further, thanks to a brilliantly infectious, and somehow sneaky, groove. The narrative is captivating, and brought to life with many little phrases that are loaded with vivid imagery.
While I view both the lyrics and the instrumental backing as brilliant elements in their own right, it seems they also rely on each other to create the magic. Exhibit A is Me & Mr Jones which is another example of a great story, but falls flat for me due to the lack of a catchy groove. Similarly, Love Is A Losing Game is all emotional n stuff, but just not catchy enough for me!
Just Friends is also a strange one, since the heavy ska groove should have me raving about it. But somehow it doesn't gel for me, seeming to lack intensity.
Back To Black is another featuring a knockout groove. However, the highlight for me is the anticipation built into the lyrics. Throughout the song, the phrase "I go back to... I go back to..." cuts itself off each time with the next verse. Then, finally, the anticipation is released in the spine-tingling bridge which finally makes the admission: "...black". It's one of my all-time favourite uses of lyrical tension and release.
Reviewing Some Unholy War has been a pleasant surprise for me. Casually listening to it over the years on headphones, it never really appealed to me. But turned up loud on a decent stereo, the phat bass brings an extra dimension to the rock-solid groove.
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