Although I tried not to, comparisons with its predecessor are unavoidable. And unfavourable. Where The Fire Is On The Bird had enormous variety, this album focusses on a narrower range of electronic-rock styles. Since I lack much experience with electronic music, I'm probably missing a lot of the context that this album is built upon. So unfortunately this album is at a handicap right from the outset.
Love Man is a nice trancey prog-rock effort to kick things off. I don't find it particularly memorable, but it works well as an opener. Hope For The Future is very similar.
The contrast of humble and emotive lyrics with ridiculously hektic electronica works a treat for The Devil In Me. It's a neat party trick, but unfortunately it grows old as the song drags out a bit.
All Alone has a brilliantly catchy groove for the chorus. Again the verses are contrasting, which works well and flows very nicely. The highlight for me is the lyrics, which have incredibly vivid imagery. I also really like that there is no clear narrative, just a journey through a collection of images loosely around a theme.
Looking So Hard For Love is nice, light-hearted fun. And Take Me Back works well both on its own as a humbling ballad, and to inject some variety into the album.
Somehow, the pre-chorus of Til The Heavens Fall is my favourite moment of the album. It's such a simple set of short phrases, yet it works brilliant as a lead-in, and builds perfectly with the song. Overall, the song is very similar to Eliza. In other words, it's the perfect build-up from humble beginnings to an epically grand finish. Brilliant.
Tools For Survival uses the same recipe with a bit of aimless wandering at the start. Once it gets into its stride, though, it is headbanging prog-rock brilliance.
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