The recording style is quite gritty, often prioritising snarling attitude (i.e. the vocals and guitar) over a smooth and enjoyable sound. On some songs, the bass guitar doesn't really cut through, but mostly it's all well balanced. A highlight is the dub-style echo effects during the occasional voice-solo breakdowns. That's enough chin-scratching though, let's get into the songs...
Take Back the Power kicks things off with a nicely infectious pop-punk ditty. I really enjoy the anti-authoritarian lyrics and the singalong chorus. There aren't a lot of musical ideas present, so it slightly wears out its welcome by 3 minutes. Liberty is similarly raucus pop-punk, with a wonderful chorus, especially the 2nd half.
White Noise (not The Living End song!), A Friend Like Me and Last Call all execute a Buck-O-Nine style of ska to great effect. The first two also have wonderful lyrics, while Last Call's are a bit prosaic, letting the song down.
Judge Not mixes things up with a wonderfully bouncy two-tone cover of the Bob Marley song. I really dig the contrast between the biting lyrics and the carefree musical style, and the dub-style vocals in the bridge is another highlight.
Does anyone remember Goldfinger's song "Answers"? Because This is the New Sound also drops a menacing rocksteady bassline with the tempo ratcheted up. The venomous lyrics are the icing on the cake, particularly the refrain of "Work 'till you're old / bottled and sold" for the bridge.
Family is an amusing ska ditty, complete with uplifting chorus. Arrangement-wise, its a bit disjointed between sections, but let's not take things too seriously here. Special mention goes to the fast-paced percussion (cowbell perhaps?) added for the repeated final chorus.
<rant mode engaged...> I posit that Easy on You is a modern callback to The Specials' classic Hey Little Rich Girl. In comparing both songs as products of their times, The Specials' songs has a bit of a judgemental vibe to it, whereas The Interrupters' lyrics treat our lead character (regardless of socio-economic status) with compassion and sympathy. Nonetheless, both are incredible songs. My favourite elements are the catchy opening guitar riff, the vivid storytelling, the energetic ska groove, the suspenseful pre-chorus, the infectious chorus... is there anything I've missed? In summary, it's fantastic from start to finish.
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