Although I have great respect for Louis Jordan's legacy in helping create one of my favourite genres, it was a bit of a struggle at first to enjoy this album. Initially it felt quite dixieland and homely compared to later swing artists. And while we can't blame him for the 1940s recording technology, the thin sound isn't helping the cause.
However, after a few listens, you get into the head-space of the era. At this point, the energy and catchy melodies can be appreciated (much like taking a time-warp back to the Ramones after a diet of polished modern punk-rock). Choo Choo Ch'Boogie, Saturday Night Fish Fry and Caldonia are prime examples of this, and wonderful songs (although I must admit I prefer to listen to more recent versions of these songs with their more developed boogie-woogie styles).
Speaking of 1940s, it is quite shocking how sexist songs like Beware Brother Beware and Three Handed Woman are.
Blue Light Boogie is also a favourite, which might sound strange because it's not his usual style. But sultry jazz is timeless, and this is fine example. Also, Come And Get It is a cracking big-band swing instrumental, with fantastic energy.
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